![]() The second surrenders the spotlight to the rogues’ gallery immediately, depriving Keaton of any dialogue for the opening half-hour. Just about everyone agrees that Jack Nicholson’s Joker stole the first Batman. That includes billionaire vigilante Bruce Wayne (Michael Keaton, slipping back into the cumbersome cape and cowl), ostensible hero of the movie, who at one point likens himself to Norman Bates or Ted Bundy, serial killers with split personalities or secret pastimes.īruce’s problems are doubled, his screen-time halved. With Batman Returns, Burton turned Gotham into the biggest of big tops, terrorized by a gang of criminal carnies and populated by freaks on both sides of the hero/villain divide. When the camera swoops like a creature of the night through the twisted architecture of the Gotham Zoo, it’s clear we’re fully in Burtonville, previous home to wisecracking prankster apparitions and lonely hairdressing androids. In place of the original’s art deco noir aesthetic, Batman Returns goes full baroque fairytale. ![]() The director exercised it from top to bottom. ![]() To lure Burton back to the world of the caped crusader, Warner Bros had to offer him greater creative control over the sequel. It’s certainly a more idiosyncratic movie than its predecessor, Tim Burton’s record-breaking popcorn sensation Batman, released to teeming, cheering crowds in the summer of 1989. ![]()
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